Terracotta Warriors Inspired by Ancient Greek Art: Page 2

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Terracotta warriors adorned the tomb of China's first emperor.
Corbis Images

Even so, the newly translated records suggest contact, of some form, occurred between ancient China and kingdoms in Central Asia that had been influenced by Greek culture and its sculpture-building tradition.

Acrobats and dancers

A few dozen statues of half-naked acrobats and dancers were also found in separate pits near the First Emperor's mausoleum.

"Here the sculptors attempted to render a bone structure, muscles and sinews to depict a person in movement," Nickel writes in his paper. "This comes close to an understanding of the human body that was employed at the time only in Hellenistic (Greek influenced) Europe and Asia."

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He argues that creating this sort of realistic sculpture is not something that a sculptor could learn without some practice, taking the ancient Greeks centuries to master it.

"The creation of a believable human body preoccupied generations of Greek sculptors. It was a complex artistic and intellectual process that did not happen overnight," Nickel writes.

Why did they stop building the statues?

All this research leaves another mystery in its wake. After the First Emperor's death the rulers that came to power, the Han Dynasty, stopped building life-size sculptures, opting instead for miniature representations of people, animals and objects, Nickel said.

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Several reasons could explain why the people stopped building these human-like statues, Nickel said. For instance, the skills involved in building these sculptures were complicated and, by the time Han rulers started building large tombs again, the people who had these skills could simply have died.

But there is another idea, one hinted at by the "heavenly taboo" recorded by Ban Gu that "disaster" happens when foreign models are followed recklessly. To the ancient Chinese, the 12 giant statues clad in foreign robes, and the Terracotta Warriors buried in pits, would have represented something unusual and foreign, Nickel said.

"Over all of Chinese early history sculpture did play only a minor role," Nickel told LiveScience in the interview. "To the Chinese it must have looked quite alien," he added. The Han rulers, wishing to repudiate the First Emperor and his foreign tastes, may have simply decided not to create life-size or larger sculptures of their own, Nickel said.

Original article on LiveScience.

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